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How the Bugatti Veyron Redefined What a Road Car Could Be

Two decades later, the Bugatti Veyron still feels less like a car and more like a punctuation mark—an emphatic, titanium-reinforced period at the end of an era when engineers were still supposed to color inside the lines. Before electrification rewrote the rules and before hypercar became a marketing category, the Veyron arrived and casually doubled the world’s expectations. Not nudged. Doubled.

For Loris Bicocchi, the man tasked with finding the edge of that madness—and then leaning on it—the Veyron didn’t just reset benchmarks. It erased them.

Bicocchi wasn’t new to Bugatti when the Veyron program began. In the early 1990s, he had already helped shake down the EB110 GT and the even more feral EB110 SS, cars that proved Bugatti’s four-wheel-drive obsession could coexist with genuine supercar violence. Those machines were fast enough to recalibrate your sense of speed. The Veyron, however, demanded a factory reset.

When Bugatti called in 2001, Bicocchi knew only the rumors. Everyone did. A thousand horsepower. Four hundred kilometers per hour. Sixteen cylinders. Sixteen. Even today, the spec sheet reads like a typo. Back then, it sounded like science fiction whispered through paddocks and test tracks.

His first drive came at Michelin’s Ladoux test facility in Clermont-Ferrand, in a red-and-black prototype that carried more expectations than body panels. Bicocchi didn’t wait for the official schedule. He climbed in on Sunday, before the engineers arrived, just to feel the thing. By Monday morning, he was vibrating with impressions.

And disbelief.

At the time, the Veyron produced roughly twice the power of anything else you could theoretically register and insure. That wasn’t a performance gap; it was a canyon. Bicocchi, a driver whose résumé included the fastest cars of their respective generations, had nothing to compare it to. There was no mental filing cabinet labeled “what this feels like.” Full throttle wasn’t even an option at first. The experience bordered on the surreal.

That sense of the unknown defined the entire program. Once you crest 300 km/h, Bicocchi explains, the physics you’ve relied on your entire career quietly pack up and leave. Aerodynamics stop being a supporting character and take over the story. Stability becomes a negotiation. Every millimeter, every contour, every algorithm matters. At 400 km/h, you’re no longer driving so much as managing consequences.

And yet, the Veyron’s mission was never just speed. That was the easy headline. The real challenge—the one that kept engineers awake—was Bugatti’s insistence that this 1001-hp projectile behave like a car. Not a race car. A car. Something that a wealthy amateur could drive, confidently, without a racing license or a death wish.

That requirement fundamentally changed the testing brief. Bicocchi wasn’t just asked to find the limit; he was asked to civilize it. Throttle response, brake feel, stability at speeds where airplanes start having opinions—all of it had to be intuitive. Forgiving, even. The Veyron needed to be a hypercar that didn’t punish curiosity.

That responsibility weighed heavily. Bicocchi describes the program as a 360-degree strike force: engineers, tire suppliers, aerodynamicists, and drivers learning in real time because no one, anywhere, had done this before. There was no rulebook for a 400-km/h road car. They were writing it at speed.

Between test sessions scattered across the globe, Bicocchi immersed himself in Bugatti’s past. Not as nostalgia, but as grounding. Ettore Bugatti’s original vision wasn’t just about performance—it was about elegance, confidence, and mechanical honesty. The Veyron wasn’t a deviation from that philosophy; it was its most extreme expression.

One moment crystallizes the entire project. At Volkswagen’s Ehra-Lessien test track, Bicocchi was instructed to accelerate flat-out past 400 km/h and then stand on the brakes. It’s the kind of request that makes your internal monologue go quiet. Stress and exhilaration collide at that speed. When it worked—when the car remained stable, controllable, obedient—the relief was collective. That’s when the project stopped feeling like a job and started feeling like history.

Twenty-plus years later, the emotion hasn’t dulled. The Veyron still lands with the same force it did in the early 2000s because it isn’t anchored to a trend. Its design doesn’t scream a specific decade. Its achievement doesn’t rely on nostalgia. It simply exists, complete and unapologetic.

That’s the Veyron’s real legacy. Not just that it went faster than anything else, but that it did so without excuses. It didn’t require compromise from its driver. It didn’t ask you to be brave. It asked you to trust it—and then proved worthy of that trust at speeds no road car had ever seen.

As Bugatti continues to redefine the outer limits of the hypercar, the Veyron remains the reference point. The moment when impossible became production-ready. The car that forced the industry to admit that the ceiling was higher than anyone had dared to imagine.

Some cars age. Some become classics. The Veyron stands apart, timeless not because time has been kind to it, but because it never belonged to any era in the first place.

Source: Bugatti

The Z4 Coupe BMW Never Built—Rendered in Carbon Fiber and What-Ifs

BMW once sold a Z4 Coupe—the squat, polarizing E86 that enthusiasts now remember fondly, if not unanimously. Fast-forward to the current G29 generation and the idea of a fixed-roof Z4 quietly died on the product-planning table. No metal top. No shooting-brake redemption arc. Just a soft-top roadster sharing its bones with the Toyota Supra.

And yet, at SEMA of all places, someone decided that wasn’t good enough.

What rolled onto the show floor wasn’t a concept sketch or a corporate tease, but a fully realized one-off that blurs the already fuzzy line between Munich and Toyota City. Think of it as the Z4 Coupe BMW never built—by way of a Supra donor car and a face swap that answers a question nobody in a boardroom wanted to ask.

At its core, this creation is Toyota’s GR Supra, but with a BMW nose grafted on like an alternate-universe OEM option. The result looks surprisingly cohesive, which is both impressive and mildly irritating if you’re the kind of enthusiast who still wonders why these cars weren’t offered in both body styles to begin with. BMW roundels replace Toyota badges, a carbon-fiber engine cover wears M Power branding with the familiar tri-color stripes, and the aftermarket hits are unapologetically loud: 20-inch BBS wheels, quad exhaust outlets, and enough visual drama to stop foot traffic.

The mashup unintentionally highlights one of the strangest product decisions of the modern sports-car era. The Z4 is roadster-only, complete with a folding fabric roof. The Supra? Coupe-only. Same platform. Same factory—Magna Steyr in Graz, Austria. Different philosophies. Officially, no one ever explained why. Unofficially, it smells like internal cannibalization paranoia. Toyota may have worried a Z4 Coupe would steal Supra thunder, while BMW likely feared a convertible Supra nibbling at Z4 sales. The result was a gentleman’s agreement that left enthusiasts shortchanged on both sides.

BMW did flirt with the idea of fixing that mistake. The 2023 Concept Touring Coupe—more modern clownshoe than traditional two-door—proved the company knew exactly what it was doing, stylistically speaking. Rumors of a limited 50-car run at around €250,000 swirled for months before quietly evaporating. The Z4 M40i-based coupe never escaped the concept-car purgatory where good ideas go to die.

Now it’s 2026, and the clock is running out. Both the Z4 and Supra are heading toward retirement, with final production wrapping up soon at Magna Steyr’s Graz plant. BMW isn’t committing to another Z4, while Toyota insists the Supra will return someday—presumably without BMW DNA in its bloodstream.

This isn’t a clean breakup, though. BMW and Toyota are still very much talking, just about hydrogen instead of horsepower. The upcoming 2028 BMW iX5 60H xDrive will use a fuel-cell system co-developed with Toyota, proof that the partnership lives on even as the sports cars fade away.

Toyota, for its part, isn’t done playing. A GR GT supercar with a twin-turbo 4.0-liter V-8 is already in the works, and executives keep teasing the return of icons like the MR2 and Celica. BMW, meanwhile, is retreating to safer ground, focusing on high-volume models and letting the M2 and an upcoming gas-powered next-gen M3 (internally known as G84) carry the enthusiast banner.

Which makes this SEMA-built Z4/Supra hybrid feel less like a novelty and more like a missed opportunity cast in carbon fiber. It’s not just a cool one-off—it’s a reminder of what happens when enthusiasts imagine the cars that corporate caution wouldn’t allow.

Photos: mysupraadventures / Instagram

Ringbrothers Just Redefined What a British Muscle Car Could Be

Ringbrothers has always operated in that sweet spot between genius and mild lunacy—the place where creativity flourishes because nobody stops to ask whether something is sensible. The Wisconsin-based brothers, Jim and Mike Ring, built their reputation turning American muscle cars into carbon-fiber fever dreams that somehow still drive like cars rather than science projects. They started with an autobody shop. They stayed with an autobody shop. And then, almost accidentally, they became the most interesting restomod builders on the planet.

So when one half of the duo showed up at The Quail during Monterey Car Week standing next to a radically reimagined Aston Martin DBS, it felt less like a left turn and more like destiny finally catching up.

Meet “Octavia.” No, not a Škoda—though apparently the name caused a mild tightening of legal neckties somewhere in Europe. This is Ringbrothers’ vision of what Aston Martin’s early-1970s DBS might have been if it were raised on cheeseburgers, superchargers, and a steady diet of American V-8 thunder.

“We’ve combined the ferocity of American muscle with the stiff upper lip of English sophistication,” Mike Ring says, deadpan but clearly delighted. “Octavia is beyond anything we’ve built before.”

That’s not marketing fluff. This thing is unhinged in the most deliberate way.

Googling Their Way to James Bond

The origin story is peak Ringbrothers. A local client—described as “super cool,” which in Ring-speak usually means extremely patient and financially brave—asked a simple question: What do you guys want to build?

The answer, apparently, came from a Google search.

“We literally Googled ‘European muscle car,’” Mike admits. “A DBS was at the top, and we’re like, yeah dude, we want to do James Bond.”

Within a week, the owner bought a non-running 1971 DBS off Bring a Trailer. Ringbrothers had never seen one in person. That didn’t slow them down. If anything, it emboldened them.

“They’re so flat-sided,” Mike says. “Straight away we knew we had to put some booty on the back.”

Carbon Fiber, Not Rivets

“Some booty” turned into ten inches of added width. The finished car measures a staggering 82 inches wide at the rear and 78 inches up front—roughly modern supercar territory and not far off a Lamborghini Revuelto for sheer presence.

The difference is execution. This isn’t a bolt-on widebody with exposed fasteners and wishful thinking. Every panel was designed in CAD and formed entirely in carbon fiber. The proportions stay intact, the surfacing flows, and the car somehow looks more Aston than the original while being dramatically more aggressive.

“It still looks balanced,” Mike says—and annoyingly, he’s right.

From CAD screen to finished car took roughly two and a half years, with about a year of actual assembly once parts began arriving. The original DBS shell didn’t survive in any recognizable sense. Ringbrothers stripped it down, bonded the body together, and turned what remained into—yes—a martini bar.

“It’s a James Bond thing,” Mike shrugs. “We got to serve martinis.”

Forget the Straight-Six

Purists, look away now.

Octavia does not run an Aston engine. Not even close. Early conversations with Aston Martin didn’t go anywhere—Ringbrothers is refreshingly candid about that—so they pivoted to what they know best.

Enter Ford’s 5.0-liter Coyote V-8, topped with a 2.65-liter supercharger and good for 805 horsepower. It’s bolted to a six-speed manual gearbox and sends power exclusively to the rear wheels, because of course it does.

“The last thing we want to do is build something we can’t make run,” Mike says. “We’re not engineers.”

That statement becomes increasingly hilarious the longer you look at the rest of the car.

The drivetrain lives in a bespoke chassis with the wheelbase stretched by 76 millimeters. A full structural roll cage is integrated into the body. There’s independent rear suspension, C7 Corvette sway bars, Fox Racing dampers, and Brembo brakes. This is not a hot rod pretending to be a grand tourer—it’s a genuinely serious piece of hardware wearing a Savile Row suit.

Coke-Bottle Bond Villain Energy

The design work was led by Gary Ragle, with what Ringbrothers describes as “echoes” of William Towns’ original DBS shape buried in the final form. The goal was “Coke-bottle curvature,” and they nailed it. The car looks taut, muscular, and vaguely menacing, like a Bond villain’s personal transport after an intense off-screen gym montage.

Inside, the madness continues—tastefully. Carbon fiber, stainless steel, and leather dominate, with subtle (and not-so-subtle) nods to 007 lore. The standout? A dipstick handle shaped like a martini glass. Shaken, presumably, not stirred.

The Cost of Doing It Because You Want To

As for the price, Mike won’t give a number. Not because he’s being coy—but because he genuinely doesn’t seem to know.

“We’re trying to sell another one so we can spread the cost a bit,” he says. “It was quite expensive.”

That might be the understatement of the week. The raw stainless steel for the exhaust tips alone cost $1,000. A first quote for four pieces of glass came in at $92,000. That’s not a typo.

Still, Ringbrothers isn’t interested in efficiency, scalability, or anything else you’d find in a business-school case study.

“If I had to build the same car over and over, I wouldn’t be doing it,” Mike says. “I’d lose interest. If it was all about money, I wouldn’t be doing what I’m doing.”

Why Ringbrothers Matters

That’s the secret sauce. Ringbrothers doesn’t chase trends or algorithms or easy wins. They chase curiosity. Every project is an extension of their taste, their humor, and their willingness to learn by doing—sometimes publicly, sometimes expensively.

Mike doesn’t see himself as an artist. He sees himself as lucky. Lucky to work with his wife. Lucky that his son is now involved in the machining side. Lucky to keep building cars simply because he wants to.

“I don’t want to retire,” he says. “This is what I’d do if I was retired.”

Octavia isn’t just a spectacular Aston Martin restomod. It’s a manifesto—proof that the best automotive creations still come from people who care more about having fun than getting rich.

They’re not curing cancer, as Mike puts it. They’re just building ridiculously cool cars.

And honestly? The world needs more of that.

Source: TopGear