Bugatti Turns a Frozen Swiss Lake into the World’s Coolest Car Show

If you’re going to celebrate one of the most outrageous automotive dynasties in history, you might as well do it on a frozen lake in the Swiss Alps.

That, in essence, is what Bugatti did at The I.C.E. St. Moritz, the now-legendary winter concours that transforms Lake St. Moritz into a glittering stage for some of the world’s rarest and most desirable automobiles. More than 20,000 enthusiasts braved the cold to watch the French marque turn snow and ice into a backdrop worthy of its legacy—and its future.

And Bugatti didn’t show up quietly.

Veyrons on Ice, Skaters in Between

Front and center were three of the most coveted Veyrons ever built, all from the Les Légendes de Bugatti collection: the Grand Sport Vitesse Soleil de Nuit, Rembrandt Bugatti, and Meo Costantini. These aren’t just special editions; they’re rolling sculptures built to honor the people and stories that made Bugatti what it is.

Seeing them parked is impressive. Seeing them on ice, surrounded by professional figure skaters weaving between them like something out of a surreal fashion shoot, is something else entirely. It was part concours, part performance art, and entirely Bugatti—mixing absurd levels of engineering with a sense of drama no other brand even attempts.

These cars represent the moment Bugatti reinvented the hypercar. When the Veyron arrived in the mid-2000s, it didn’t just raise the bar—it launched it into orbit. A thousand horsepower. Over 250 mph. And the kind of craftsmanship you’d expect from a Swiss watchmaker. Two decades later, those numbers are no longer unthinkable—but the Veyron’s impact still is.

A Tiny Tribute to a Giant Legacy

Bugatti also took a moment to look much further back. Hedley Studios unveiled a one-off Bugatti Baby II ‘Meo Costantini’, a scaled-down electric tribute to the legendary Type 35—the race car that helped make Bugatti famous nearly a century ago.

Parked alongside its modern namesake, the Veyron Grand Sport Vitesse Meo Costantini, it was a reminder of how remarkably consistent Bugatti’s design DNA has been. From pre-war racers to four-turbocharged monsters, the marque has always balanced elegance with outrageous performance.

The Bolide Brings the Ice to Its Knees

If the Veyron display was about heritage and glamour, the Bolide was about raw, unfiltered insanity.

Bugatti brought three examples of its track-only W16 monster onto the icy circuit carved into the lake, where their owners drove them in front of a stunned crowd. On dry asphalt, the Bolide is a barely-tamed missile. On ice, it becomes something even more surreal: a 1600-horsepower experiment in physics, grip, and bravery.

It was a spectacle you could only get away with in a place like St. Moritz, where the audience expects the impossible—and Bugatti delivers.

From Type 35 to EB110

The concours side of the event was just as rich. Historic Bugattis including the Type 13, Type 35, and Type 37A competed in the Open Wheels class, while the iconic EB110—the 1990s supercar that bridged Bugatti’s old and modern eras—stood proudly in the “Birth of the Hypercar” category.

It was a rolling timeline of the brand’s evolution, all displayed on a frozen sheet of Alpine perfection.

More Than a Car Show

Off the ice, Bugatti hosted guests in the I.C.E. Village, a winter-chic chalet-style hub where owners, collectors, and fans mingled over drinks and stories. For Bugatti, this wasn’t just a marketing exercise—it was a family reunion.

As Managing Director Hendrik Malinowski put it, the event was about more than just showing cars. It was about celebrating what makes Bugatti Bugatti: the people, the passion, and the willingness to do things no one else would even consider.

And really, what other brand would think to drift hypercars across a frozen Alpine lake while figure skaters dance between Veyrons?

Exactly.

Source: Bugatti

McMurtry Spéirling is coming this summer

There are startups that promise to change the world, and then there’s McMurtry Automotive, which decided the best way to announce itself was to obliterate a 23-year-old Formula 1 record at Goodwood with a vacuum-cleaner-sized electric missile. Now the British firm is taking the next logical step: moving out of the garage-project phase and into a purpose-built factory in Gloucestershire to start building the real thing.

McMurtry Spéirling is coming this summer

The new site in Wotton-under-Edge covers roughly a square mile, which is an absurdly large footprint for a company that builds a single-seat electric hypercar smaller than a Honda Civic. Production of the Spéirling Pure is set to begin any moment now, with the first customer car scheduled to leave the factory this summer. For a company that only a few years ago was known mostly for YouTube-breaking hillclimb runs, that’s a huge milestone.

And McMurtry isn’t stopping at just one outrageously fast toy. Its existing headquarters nearby will become an R&D hub for a new offshoot called McMurtry Technology, a contract-engineering business already claiming “high-profile clients” and seven-figure revenues. Translation: the same engineers who figured out how to make a 1000-horsepower electric fan car stick to the road are now available for hire.

Still the Hillclimb King

The Spéirling’s legend was sealed in 2022, when Max Chilton drove a prototype up the Goodwood hill in 39.08 seconds, smashing the long-standing record set by a McLaren Formula 1 car in 1999. That wasn’t just quick—it was physics-bending. The car’s downforce-generating fan system effectively allows it to glue itself to the asphalt, regardless of speed.

What’s coming off the new production line is even more unhinged. Customer cars will get revised motors sending a full 1000 horsepower to the rear wheels, fed by a 60-kWh battery pack that’s 15 percent lighter than before. McMurtry says kerb weight will be under 1000 kilograms—roughly what a Mazda Miata weighs, except this one launches to 62 mph in 1.5 seconds and keeps pulling to more than 190 mph.

Small Car, Big Humans

The Spéirling Pure measures just 3.45 meters long and seats exactly one person, but McMurtry insists it can fit drivers up to 6 feet 7 inches tall and weighing up to 146 kilograms. That’s either impressive packaging or proof that British engineers are really, really good at Tetris.

Only 100 examples will be built, each starting at £995,000 before taxes, delivery, and the sort of options you probably don’t want to ask about. That puts it firmly in the ultra-exclusive hypercar club—but unlike most million-pound toys, this one isn’t trying to be elegant, luxurious, or even especially pretty. It’s trying to be the fastest thing you’ve ever experienced.

With a new factory coming online and customer deliveries about to begin, McMurtry is moving from internet sensation to actual manufacturer. The Spéirling is no longer just a record-setting prototype—it’s a production car with a production line. And if it performs on the road anything like it did at Goodwood, the hypercar world is about to get very, very nervous.

Source: McMurtry Automotive

Ferrari EV with Apple technology

Jony Ive Designs the Interior of the Ferrari Luce—and It Might Be the Most Radical Cabin Maranello Has Ever Built

Apple never built its own car, but Ferrari just got the next best thing.

After quietly killing its decade-long automotive project, Apple’s greatest design export—Sir Jony Ive—has resurfaced in a far more fitting home: Maranello. The legendary designer behind the iPhone, iPad, and Mac has crafted the interior of Ferrari’s first electric vehicle, the Ferrari Luce, and the result looks less like a traditional supercar cockpit and more like something that escaped from Cupertino’s skunkworks.

Ferrari reached out to Ive shortly after he left Apple in 2019 to form LoveFrom with fellow industrial-design icon Marc Newson. Two years of negotiations followed before the partnership was finalized in 2021. Now, with the Luce set for a formal reveal in 2026, we’re finally seeing what happens when Ferrari’s mechanical obsession meets Apple’s minimalist religion.

And it’s weird—in a very Ferrari way.

Analog Soul, Digital Brain

The Luce’s interior doesn’t abandon Ferrari tradition. Instead, it remixes it. There’s a digital display, sure, but it’s surrounded by a forest of physical switches, rotary knobs, and tactile controls. Ive and Newson deliberately resisted the Tesla-style slab of glass approach.

The centerpiece is a 10.2-inch OLED screen that rotates and responds to touch, but it doesn’t dominate the cabin. Ferrari still wants you driving, not scrolling. Volume is controlled by a physical glass dial. Large, solid switches flank the screen. The layout adapts to what the driver is doing, but it always keeps the car—not the software—front and center.

“It was very clear to us that we had to find as many ways as possible to intuitively and physically connect with the interface,” Ive said.

In other words: Ferrari drivers don’t want to swipe—they want to feel.

A Steering Wheel From Another Century

The most shocking element isn’t a screen at all. It’s the steering wheel.

Gone is Ferrari’s current spaceship-style yoke loaded with capacitive buttons. In its place is a three-spoke wheel inspired by the classic Nardi designs of the 1950s and 60s—complete with wood trim. It weighs 400 grams less than Ferrari’s current wheel, and its spokes are made from 100-percent recycled aluminum.

This is retro-futurism at its finest: old-school aesthetics hiding next-gen engineering. It’s also an unmistakable statement that Ferrari wants the Luce to feel like a Ferrari, even without an engine.

Apple Obsession, Ferrari Execution

If you think Apple sweats the details, Ferrari just went further.

The seat rails—the parts you never see—are molded and anodized. There are more than 40 pieces of Gorilla Glass surrounding the driver. Even the vents are sculpted like precision instruments rather than plastic afterthoughts.

And then there’s the key.

Yes, Ferrari redesigned the key.

It features an e-ink display, and when you insert it into the dashboard, the yellow glow visually “flows” from the key into the car. It serves no mechanical purpose whatsoever—and that’s exactly why it exists. It’s pure Ive: design as an emotional experience.

Designing in a World of Rules

Ive admits the car world was a shock.

“I’ve never worked in an area that’s so regulated,” he said. “Some of it is great… but some of it drives you crazy.”

That tension—between creativity and safety, beauty and bureaucracy—shapes every inch of the Luce. Ferrari’s first electric car isn’t just a technological pivot. It’s a philosophical one.

Marc Newson summed it up best:
“Jony and I share a really, really deep interest in automotive stuff… it’s probably a hobby for both of us.”

And it shows.

What Is the Ferrari Luce?

Ferrari hasn’t released specs, pricing, or even confirmed the rumored May preview. What we do know is that the Luce will be the brand’s first fully electric production car, with its official debut planned for the second half of 2026.

Whether it starts a full EV lineup or remains a one-off experiment is still unclear. But one thing is certain:

This is not Ferrari reluctantly going electric.
This is Ferrari using electricity as an excuse to reinvent itself.

And with Jony Ive holding the pen, the future of Ferrari suddenly looks a lot like the future Apple never got to build.

Source: Ferrari

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