Category Archives: News

Volvo’s EV Sales Rise Despite Overall Decline

If you’re looking for a clean narrative of triumph, Volvo Cars’ first quarter of 2026 isn’t it. But if you’re interested in where the industry is actually headed—messy, electrified, and geopolitically tangled—this one’s far more revealing.

Volvo moved 153,316 cars globally in Q1, an 11 percent drop compared to the same stretch last year. That headline number stings, especially for a brand that’s spent the last decade carefully rebuilding its premium credibility. But dig a layer deeper and the story shifts from decline to transition.

Electric cars are doing exactly what Volvo needs them to do. Fully electric sales rose 12 percent, now accounting for 23.7 percent of total volume. Add plug-in hybrids—nearly identical in share at 23.6 percent—and suddenly almost half of every Volvo sold plugs into something. At 47.3 percent electrified penetration, Volvo isn’t just keeping pace with legacy premium rivals; it’s quietly outpacing most of them.

That’s the paradox of 2026: growth where it matters, contraction where it used to count.

Europe remains Volvo’s anchor, with 95,335 cars delivered—down a modest 2 percent—but EV momentum is unmistakable. Fully electric models surged 21 percent, helping electrified vehicles claim 57 percent of the regional mix. In other words, more than every second Volvo sold in Europe now comes with a charging cable. That’s not a trend; that’s a pivot.

Meanwhile, the Americas are telling a very different story. Sales cratered 28 percent, dragged down by weak consumer sentiment and the cold reality of disappearing EV incentives. Electrified models took an even bigger hit, down 30 percent, suggesting that policy shifts can still make or break adoption curves overnight. It’s a reminder that even the most carefully planned electrification strategy is only as stable as the regulatory ground beneath it.

China, as ever, plays by its own rules. Overall sales dropped 17 percent, but electrified models skyrocketed 116 percent—driven almost entirely by plug-in hybrids, which jumped a staggering 146 percent. Fully electric cars, interestingly, went the other direction, down 26 percent. It’s a nuanced shift that hints at a market not yet ready to go all-in on EVs, despite its reputation as the global epicenter of electrification.

Volvo’s product cadence may soon help rebalance that equation. The upcoming Volvo EX60—still waiting in the wings—has already generated strong customer interest, and its arrival could plug a crucial gap in the lineup. Until then, models like the long-range Volvo XC70 are carrying the load in key markets like China, where flexibility still trumps purity.

Erik Severinson, Volvo’s Chief Commercial Officer, framed it as a moment of resilience rather than retreat, pointing to six consecutive months of growth in fully electric deliveries heading into March. He’s not wrong. The trajectory is there, even if the quarterly snapshot looks uneven.

Still, the broader industry context looms large. Pricing pressure, tariffs, and geopolitical uncertainty aren’t abstract threats—they’re showing up directly on balance sheets. Volvo’s 17 percent drop in mild hybrid and internal-combustion sales underscores a reality many automakers would rather avoid: the old profit engines are fading faster than the new ones can fully replace them.

So no, this wasn’t a blockbuster quarter. But it may be a more honest one.

Because right now, success in the auto industry doesn’t look like steady growth—it looks like controlled disruption. And by that measure, Volvo might be doing exactly what it needs to do.

Source: Volvo

When Lamborghini Loses the Roof, It Finds Its Soul

There are convertibles, and then there are Lamborghinis that simply forgot the concept of a roof altogether. The difference isn’t semantic—it’s philosophical. When Lamborghini builds an open-top V12 machine, it’s not chasing sunlight and scenery. It’s chasing sensation—the kind that pins your spine to carbon fiber while a twelve-cylinder orchestra detonates inches behind your skull.

From the tail-happy theater of the Lamborghini Diablo Roadster to the operatic violence of the Lamborghini Aventador Roadster, Sant’Agata’s open-air lineage has always been about excess turned experiential. But if those cars are wild, the brand’s “Few Off” roadsters are something else entirely—machines that feel less like production cars and more like rolling declarations of technical dominance.

These are not convertibles in the traditional sense. They are rarefied objects—built in numbers so small they border on myth—where engineering ambition, design extremism, and raw performance converge without apology. They don’t just deliver speed; they deliver an event.

The DNA traces back further than you might expect. In 1968, the Lamborghini Miura Roadster—a one-off interpretation by Bertone—hinted at what could happen when Lamborghini loosened its own rules. It wasn’t just a roofless Miura; it was a statement that even the company’s most sacred forms weren’t beyond reinvention.

That idea simmered for decades before erupting into something far more aggressive. Enter the Lamborghini Reventón Roadster, the car that effectively launched the Few Off roadster bloodline. Limited to just 15 examples, it looked less like a car and more like it had been cleared for takeoff. Fighter-jet-inspired surfaces, razor edges, and a 6.5-liter V12 producing 650 horsepower made it brutally fast—0–100 km/h in 3.4 seconds, with a top end north of 340 km/h. More importantly, it introduced Lamborghini’s first fully digital instrument cluster, proving that theatrics and technology could coexist.

If the Reventón was dramatic, the Lamborghini Veneno Roadster was unhinged. Built to celebrate Lamborghini’s 50th anniversary (in coupé form), the roadster variant took the concept of aerodynamics and turned it into sculpture. Only nine were made. With 750 horsepower from its naturally aspirated V12, it hit 100 km/h in 2.8 seconds and kept pulling to 355 km/h. Every surface seemed designed by wind tunnel and imagination in equal measure—massive wings, exposed aero elements, and carbon fiber everywhere, including Lamborghini’s exotic Carbon Skin® interior.

Then came the Lamborghini Centenario Roadster, a centennial tribute to founder Ferruccio Lamborghini. Limited to 20 units, it refined the madness with technology that would later trickle down into more “normal” Lamborghinis. Rear-wheel steering sharpened agility, a touchscreen infotainment system modernized the cabin, and the 770-hp V12 delivered the now-familiar 2.8-second sprint to 100 km/h. It was still outrageous—but now it was also quietly influential.

And then, inevitably, electrification arrived. The Lamborghini Sián Roadster didn’t abandon the V12—it amplified it. Pairing the traditional 6.5-liter engine with a 48-volt electric motor integrated into the gearbox, it produced a combined 819 horsepower. Limited to 19 units, it marked the beginning of Lamborghini’s hybrid era, without dulling any of the brand’s signature brutality.

Across more than six decades—from the Miura Roadster’s experimental spark to the Sián’s electrified fury—these Few Off machines have defined the outer edge of what a supercar can be. They are not designed to be practical, attainable, or even particularly usable. That’s the point.

Because when Lamborghini builds a roofless V12 flagship in single-digit or near-single-digit numbers, it isn’t solving a problem. It’s making a statement: that performance can still be theatrical, that design can still be fearless, and that the experience of driving—wind in your face, V12 at full scream—can still feel like the most important thing in the world.

And in an era increasingly defined by silence and software, that might be the most radical idea of all.

Source: Lamborghini

Faraday Future FX Super One Turns the Front Fascia into Prime-Time Screen Time

In the arms race of in-car tech, the dashboard stopped being the final frontier years ago. Screens multiplied, stretched pillar to pillar, and eventually crept into the second row like a rolling IMAX. Now, if Faraday Future has its way, the next logical step isn’t inside the cabin at all—it’s staring you down from the outside.

Meet the FX Super One, a vehicle that takes the idea of a “face” a little too literally. Where you’d expect a grille—or at least a polite nod to one—there’s instead a full-width LED slab. The company calls it FACE, short for Front AI Communication Ecosystem, which sounds less like a car feature and more like something you’d accidentally subscribe to. Functionally, it’s a rolling digital billboard: animations, messages, video playback, even voice interaction when parked. Your car doesn’t just arrive anymore; it performs.

If this feels like a gimmick, that’s because it kind of is—but not without precedent. Hyundai, Opel, and BMW have all flirted with exterior displays in concept form, typically pitched as a safety tool—think friendly signals to pedestrians or subtle cues for autonomous driving. Faraday Future, however, skips the subtlety entirely. This isn’t about a gentle “you may cross” icon; it’s about turning your morning commute into ad space.

Of course, the technical and regulatory questions pile up faster than pixels on that front fascia. How does a screen like this hold up against weather, road debris, or the occasional parking mishap? What happens when it inevitably meets a rogue shopping cart? And perhaps most critically, will regulators allow a moving vehicle to broadcast what amounts to dynamic advertising in traffic? The FX Super One may be ready for production—Faraday insists it is—but the world it’s driving into may not be ready for it.

Then there’s the company itself. Faraday Future’s track record is, at best, turbulent. The long-promised FF 91 finally trickled into reality years after its splashy debut, only to land with the quiet thud of a niche curiosity. A handful of deliveries later, it became less a Tesla rival and more a cautionary tale. The FX Super One, reportedly targeting a sub-€100,000 price point, is positioned as a reset—a second swing with broader appeal.

But ambition has never been Faraday’s problem. Execution is where things tend to flicker.

Still, there’s something undeniably fascinating about the FX Super One’s premise. Cars have always been expressions—of identity, status, engineering prowess. Now they might become literal communication devices, broadcasting messages to the world in real time. Whether that’s a glimpse of the future or just another overcooked tech flex remains to be seen.

One thing is certain: the line between automobile and advertisement is no longer blurred. It’s backlit, animated, and impossible to ignore.

Source: Faraday Future