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Ferrari Tailor Made 12Cilindri

Ferrari’s Tailor Made program has always flirted with excess, but this latest creation—a one-off 12Cilindri developed exclusively for South Korea—doesn’t just push the envelope. It hand-weaves, lacquers, screen-prints, and sonifies it. If most bespoke Ferraris are haute couture, this one is closer to a traveling museum exhibition that just happens to have a naturally aspirated V-12 up front.

Called simply the Tailor Made 12Cilindri, this car is Ferrari at its most self-aware: a brand that knows its engineering is untouchable and therefore feels confident enough to let artists, designers, and cultural curators take the wheel aesthetically. The result is less about horsepower figures and more about storytelling—though the fact that the story is wrapped around one of Ferrari’s most important modern flagships makes it all the more compelling.

The project took nearly two years and spanned three continents. Maranello handled the hard bits, naturally, while COOL HUNTING®—the New York–based design and culture publication—acted as creative conductor. The real stars, however, are the South Korean artists whose work defines nearly every surface of the car. This isn’t a Ferrari with a theme; it’s a Ferrari that is the theme.

Start with the paint. Ferrari calls it Yoonseul, a newly developed transitional finish inspired by a Korean word that describes sunlight shimmering across water. It’s not marketing poetry either. The color genuinely shifts as light moves across the body, flowing from green to violet with blue undertones. One moment it recalls celadon ceramics rooted in Korean history; the next, it feels like neon reflections bouncing off the glass towers of modern Seoul. Ferrari has played with complex paints before, but this one feels unusually alive.

Inside, the collaboration becomes even more ambitious. Textile artist Daehye Jeong, known for her ethereal horsehair weaving, brings traditional Korean craft directly into the cabin. Her patterns appear in a newly developed 3D fabric used on the seats and flooring—the first time Ferrari has employed such a material. The same motif is screen-printed onto the glass roof, turning sunlight into a shifting pattern of shadows. Most striking of all, a handwoven horsehair artwork sits on the dashboard itself. This isn’t trim pretending to be art; it is art, permanently integrated into the car.

Ferrari’s engineers had to work closely with designers and suppliers to make that possible, and it shows. Nothing feels tacked on. The materials respect the car’s architecture, rather than fighting it.

Artist Hyunhee Kim takes over the visual identity. Known for her translucent reinterpretations of traditional Korean objects, she reimagines Ferrari’s most sacred icons—the Prancing Horse, the wheel caps, the Scuderia shields, even the long “Ferrari” nameplate—in a semi-transparent finish. It’s a bold move, and one Ferrari would never attempt on a production car, but here it works. The center tunnel inside carries the same translucent treatment, joined by a hand-crafted dedication plate rendered in traditional calligraphy.

Kim’s contribution even extends to the trunk, where she designed a custom case that doubles as luggage and houses a Ferrari key reworked in her signature visual language. It’s the kind of detail that feels excessive until you remember this is a car likely destined for climate-controlled storage anyway.

White, a color Ferrari usually treats cautiously, becomes a statement thanks to contemporary artist TaeHyun Lee. Drawing from traditional Korean lacquer techniques, Lee inspired a series of elements finished in brilliant white—including the brake calipers and the shift paddles. Yes, white brake calipers on a factory Ferrari are a first, and no, they don’t feel like a gimmick. Against the iridescent bodywork, they read as intentional punctuation marks.

Then there’s sound—visualized. The South Korean duo GRAYCODE (jiiiiin) translated the 12Cilindri’s V-12 soundtrack into a graphical waveform that’s subtly rendered across the bodywork using a darker variation of the same transitional paint. It’s a literal expression of the engine’s voice, frozen in motion, and it might be the most Ferrari idea of all: turning mechanical noise into visual drama.

What makes this Tailor Made 12Cilindri remarkable isn’t just the craftsmanship or the novelty of its materials. It’s Ferrari’s willingness to step back and let external creative voices reshape its most recognizable symbols. The company didn’t dilute its identity in the process—it reinforced it. This car still looks unmistakably like a Ferrari. It just happens to speak fluent Korean design language while doing so.

No price has been announced, and frankly, it doesn’t matter. This 12Cilindri isn’t about cost or collectability. It’s about Ferrari demonstrating that personalization, when taken seriously, can move beyond color palettes and stitching samples into something closer to cultural dialogue.

In a world where “bespoke” often means little more than a new shade of red, Ferrari just built a rolling argument for why craftsmanship, art, and engineering still belong in the same sentence. And yes, it still has a V-12. Some traditions are simply non-negotiable.

Source: Ferrari

News

Thieves Make a Clean Getaway With Ferrari and $1.4M Porsche

If you’ve ever wondered how long it takes to steal nearly eight figures’ worth of dream cars, the answer—apparently—is less time than it takes to brew a decent cup of coffee.

Early Sunday morning, a Canadian car dealership was relieved of eight high-end vehicles in a theft that reportedly lasted between eight and ten minutes. No tow trucks, no elaborate Mission: Impossible choreography. Just a crowbar, a box of keys, and enough confidence to walk out with a Ferrari 812 GTS, a Porsche 911 GT3, two Mercedes-Benz S580s, and two BMW M4s.

According to footage released by Global News, the operation looked less like a smash-and-grab and more like a grimly efficient pit stop. Roughly a dozen thieves, all dressed in black and wearing masks, smashed through the dealership’s glass doors at around 3:35 a.m. Once inside, they went straight for a wall-mounted lockbox containing the keys to every vehicle on the lot. A crowbar made short work of it.

From there, the group calmly rearranged furniture to clear an exit path, fired up the engines, and drove off—one by one—in some of the most desirable performance cars money can buy.

It took another four hours before anyone noticed.

The list of stolen cars reads like the lineup at an enthusiast fantasy draft. The Ferrari 812 GTS alone packs a naturally aspirated V-12 producing 789 horsepower, while the Porsche 911 GT3—arguably the most track-focused road car Porsche sells—carries an estimated value of around $1.4 million. That GT3, notably, remains missing.

Four of the stolen vehicles have since been recovered, and one suspect has been arrested. Another thief reportedly left a trail of blood at the scene, suggesting that not everything went entirely according to plan. Still, as far as high-speed automotive crime goes, this one was alarmingly smooth.

What makes the story unsettling isn’t just the value of the cars, but how easily they were taken. No hacking of encrypted ECUs. No relay attacks on keyless entry systems. Just a physical lockbox full of keys, waiting behind glass doors. It’s a reminder that while modern cars are rolling fortresses of software and sensors, the weakest link is often still a piece of hardware bolted to a wall.

The Porsche’s disappearance is particularly painful. GT3s aren’t just expensive—they’re sacred objects in enthusiast culture, engineered with obsessive focus and often spec’d by owners who waited years for an allocation. Seeing one vanish into the criminal ether is the kind of thing that keeps collectors awake at night.

Dealerships, meanwhile, are left with an uncomfortable takeaway: it doesn’t matter how advanced the cars are if the keys are easier to steal than the vehicles themselves.

As for the missing GT3, there’s a good chance it’s already been shipped overseas, stripped for parts, or hidden away in a warehouse where its flat-six will never see a redline again. For enthusiasts, that may be the real tragedy—not the money, but the loss of a machine built to be driven, reduced to a line item in a police report.

Eight minutes. Eight cars. And one Porsche that, for now, has disappeared without a trace.

Source: Global News via YouTube

News

Ferrari HC25 Could Be the Brand’s Next Bespoke Supercar

Ferrari doesn’t do “quietly,” and it certainly doesn’t do “small plans.” The company has already gone on record saying it intends to roll out as many as 20 new cars by 2030—an eye-popping cadence that works out to roughly four new models a year. Against that backdrop, a recently filed trademark for the name Ferrari HC25 has set the rumor mill spinning, and for once, the speculation feels justified.

At first glance, HC25 doesn’t fit neatly into Ferrari’s usual naming playbook. It’s not a revival of a historic badge, nor does it follow the alphanumeric logic of the company’s core lineup. That’s important, because in Ferrari-speak, odd names often signal something special. Traditionally, designations like this point toward a one-off—an ultra-low-volume, bespoke creation commissioned by a single, very important client.

Ferrari has plenty of precedent here. The brand’s modern one-offs have become rolling expressions of wealth, taste, and Maranello’s willingness to indulge both. The recently revealed SC40 is a prime example: a modern tribute to the iconic F40, clothed in bespoke bodywork but built atop the bones of the 296 GTB. Underneath, it kept the donor car’s carbon-aluminum chassis and 818-hp hybrid V-6. Above that, it wore a body no one else on Earth will ever own.

HC25 feels cut from the same cloth. The “HC” could easily be a client’s initials—Ferrari has done this before—and the “25” might reference 2025, an anniversary, or some private milestone meaningful only to the buyer. Ferrari isn’t saying, and that silence speaks volumes.

What the HC25 almost certainly won’t be is a clean-sheet car. Ferrari doesn’t build entirely new architectures for single commissions, no matter how deep a client’s pockets run. If this project materializes, expect it to borrow heavily from an existing platform—likely something mid-engined and already hybridized—while differentiating itself through a completely unique exterior and carefully curated interior details. In other words, familiar mechanicals wrapped in couture sheetmetal.

One curious wrinkle, though, is that Ferrari didn’t just trademark the name for a car. The filing also covers lifestyle goods like phone cases, sunglasses, and bags. That’s unusual territory for a one-off, which typically lives and dies as a singular object. It could suggest that HC25 is more than just a private indulgence—or it could simply be Ferrari being Ferrari, locking down every possible angle before anyone else can.

Of course, it’s worth remembering that trademark filings are promises of possibility, not guarantees of reality. Automakers register names all the time that never make it past a legal database. HC25 may ultimately amount to nothing more than a protected idea.

Still, when Ferrari starts stacking trademarks alongside aggressive product plans, history suggests something interesting is brewing. Whether HC25 becomes a rolling sculpture for a single client or fades quietly into the archives, it’s a reminder that in Maranello, exclusivity isn’t a side business—it’s part of the brand’s DNA.

Source: Ferrari